TIPS ON SHOOTING SEQUENCES
by Sayo Aluko (08023244588)
To shoot a simple sequence you need
at least three shots -
- A master shot showing the person engaged in their
activity
- A shot of the person's face
- A close up of the activity
- If you are covering an activity that can be repeated,
I'd suggest your first shot is the "Master Shot". This is a good
insurance shot. Then, if all else fails, you can just use the master!
- The master shot should be wide enough to show the whole
action – which (if repeatable) should be recorded from beginning to end.
- As you get better at sequences you won't need to record
the action from beginning to end. You'll know where you want to cut and
therefore know when to: stop the action; change shot; and restart the
action with some overlap.
- Keep a close eye on what the subject is doing – which
hand did they use to pick up the phone – continuity errors can spoil a
good sequence.
- You must offer the editor a variety of shots (at least
three remember) – this entails changing either:
» the camera lens angle e.g. wide shot, mid shot,close up
» camera position e.g. over the shoulder, profile, head on
» camera height e.g. high angle, eye height, low angle - The average shot is about 4 seconds long. BUT, you must
shoot enough to leave the editor some flexibility- as a general rule
record shots that are at least 10 seconds long.
- Ensure that you record the complete action e.g. Frame
up on a telephone, start recording and keep recording as the hand comes in
to pick up the receiver - then put the receiver back - the hand goes out
of shot - hold - then stop recording. Now your editor has flexibility to
start (or end) the shot at any given point in the action.
- You must try not to cross
the line. Be clear in your mind where the line of action runs and stay
one side of the line.
- Don't forget to shoot the cutaways, e.g. if someone is
using the photocopier, appropriate cutaways might be:
» the buttons being pressed
» the copy coming out of the machine - Of your three sequence shots, the shot of your
subject's face concentrating on what they are doing is very important.
This can be edited in almost anywhere – and may get you over a continuity
problem.
- If your subject is concentrating hard, then get in
close. For simpler activities, an MCU will
probably be sufficient.
- It doesn't look good to edit into or out of moving
shots. Keep zooming, panning and tilting to a minimum. Hold the camera
steady and let the subject provide the movement and visual interest.
- Letting your subject enter shot or exit, acts as a
reason to edit. A kind of visual full stop.
- If you let your subject leave shot, then you can change
location and see them enter shot for the next sequence.
- If the sequence is being used to introduce an
interviewee - make sure they leave the last shot (eg their hands leaving
shot after putting down the phone). It will look strange if you go from a
shot of a person on the phone straight to a shot of them being
interviewed.
Watch out for Part 2 ........
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